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This dissertation examines the frequently surprising part associated with the slave characters of Greek Old Comedy in intimate humor

This dissertation examines the frequently surprising part associated with the slave characters of Greek Old Comedy in intimate humor

Building on work we started during my 2009 Classical Quarterly article (“An Aristophanic Slave: comfort 819-1126”). The slave characters of the latest and Roman comedy have traditionally been the main topic of productive interest that is scholarly slave characters in Old Comedy, in comparison, have obtained reasonably small attention (the only real substantial research being Stefanis 1980). Yet a better appearance during the ancestors for the subsequent, more familiar comic slaves provides new views on Greek attitudes toward intercourse and social status, in addition to what an Athenian audience expected from and enjoyed in Old Comedy. Furthermore, my arguments on how to read passages that are several slave characters, if accepted, may have bigger implications for the interpretation of individual performs.

The very first chapter sets the phase for the conversation of “sexually presumptive” slave characters by dealing with the notion of intimate relations between slaves and free feamales in Greek literature generally speaking and Old Comedy in specific. We first examine the various (non-comic) remedies for this theme in Greek historiography, then its exploitation for comic impact when you look at the mimiamb that is fifth of plus in Machon’s Chreiai. Finally, we argue that funny recommendations to sexual relations between slaves and free feamales in the extant comedies blur the line between free and servant so that you can keep a far more distinction that is rigid relatively rich Athenian resident men and a diminished class comprising slaves, metics, foreigners, additionally the poorest Athenian residents.

Chapter two examines the things I term the “sexually presumptive” slave characters of Old Comedy.

We argue that the viewers can be built to determine with a male talking slave character who threatens to usurp the intimate role of their master and/or exposes free female characters to intimate remark, jokes, manhandling, and innuendo. (more…)

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